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Even when sticking largely to the original arrangements, the group performs with a giddiness that gives the music a fresh kick, and that energy is what makes this record something a little bit more than a run-of-the-mill tribute.

Based in Nashville, Tennessee, the band may specialize in rags, hollers, and pre-World War II blues, but they were weaned on Nirvana and Public Enemy.

Since forming in the late 90s, they have released six acclaimed studio albums, including 2014s Remedy, which took home the Grammy Award for Best Folk Album.

They have been inducted into the Grand Ole Opry Hall of Fame, toured with Merle Haggard and Marty Stuart, played on NPRs Prairie Home Companion, and logged multiple appearances at high-profile festivals like Bonnaroo, MerleFest, Telluride Bluegrass Festival, and Newport Folk Festival.

Critter Fuqua (vocalsbanjoresonator guitar), Kevin Hayes (guitjo), Morgan Jahnig (upright bass), Ketch Secor (vocalsfiddleharmonicabanjo), and Willie Watson (vocalsguitarbanjo) -- who are all from different states -- met in New York, hit the road, played before an impressed Doc Watson in front of a North Carolina pharmacy, and were promptly scheduled to play the folk icons Merlefest.

The band signed to Nettwerk America in 2003, began crafting their own compositions among the jug band standards and reels that had become the backbone of the group, and went into the studio to make a record with Gillian Welchs other half, guitarist David Rawlings, at the helm.

Old Crow Medicine Shows self-titled debut, which was recorded in RCAs legendary Studio B (Elvis Presley, Waylon Jennings) as well as Woodland Sound Studios (Nitty Gritty Dirt Band), arrived the following year.

The groups second album, Big Iron World, was produced by Rawlings and appeared in August 2006.

The band then switched producers, going with Don Was for 2008s Tennessee Pusher.

Carry Me Back, produced by Ted Hutt, was released four years later in 2012.

In the summer of 2013, the band (now an octet) released the three-song EP Carry Me Back to Old Virginia, which consisted of the title track, a newly recorded version of Aint It Enough, and a cover of Alabamas Dixieland Delight.

Hutt returned to produce the groups 2014 effort, Remedy, an album heavily influenced by folk music that would go on to earn a Grammy Award for Best Folk Album of the Year.

Over the next few years, Old Crow Medicine Show continued to tour, and in early 2017 they released the compilation The Best of Old Crow Medicine Show.

Not long afterward, they announced they had signed with Columbia Nashville.

The first record the band released for the label was 50 Years of Blonde on Blonde, which consisted of Old Crow Medicine Show performing the legendary Bob Dylan album in its entirety at the Country Music Hall of Fame in May 2016.

Coinciding with Old Crow Medicine Shows 20th anniversary, they recorded their sixth full-length, 2018s Volunteer, at Nashvilles famed RCA Studio A with producer Dave Cobb; the album debuted at number one on Billboards Bluegrass charts and 14 on the country chart.

In 2019, the band released the concert album Live at the Ryman.

This means Best of Old Crow Medicine Show contains Wagon Wheel, the groups best-known song thanks to a smash cover by Darius Rucker in 2013, but the rest of the album shows that the group is hardly a one-trick wonder.

Although the group has grown more accomplished over the years, these records snap.

The earliest cuts can seem a little affected in their old-timey style -- Tell It to Me, the cover of Down Home Girl, a New Orleans RB side everybody knows as a Rolling Stones song -- but they soon start sounding loose and muscular with Alabama High Test, and by the end of the compilation, its clear that theyve established their own distinctive roots style.

Nearly a year later, 50 Years of Blonde on Blonde arrived as their first release on Columbia Records.

Containing cherry-picked highlights from the two concerts, 50 Years of Blonde on Blonde finds the Americana group running through the entirety of Dylans masterwork, and what makes the performance work is that they play with gusto and verve, not respectful reverence.

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Certainly, the group knows the album backwards and forwards, but that familiarity also means that theyre free to turn some songs inside out.

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One of Us Must Know (Sooner or Later) is performed as a ballad, Obviously 5 Believers turns the blues song into bluegrass and they treat Pledging My Time in similar fashion, plus they give Sad Eyed Lady of the Lowlands a strong backbeat.

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